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I met him in my sister’s garden ….
I haven’t yet read Anne Enright’s The Forgotten Waltz – only the first chapter that you can read on BBB 4 web site and where you can also hear an interview with the author herself. It was my Kindle e-book reader that first got me into reading first chapters. Reading first chapters for free became my favourite Kindle feature.
My Kindle was a gift from Santa in Christmas 2009 when the snow seemed to stay forever. The Forgotten Waltz works backwards from that snow-bound winter as the narrative is told in retrospect. It is the story of an affair set in the Ireland of the late 2000s when the property-fueled economy was imploding.
‘Love is always deluded,’ Enright says in her interview about the novel. The story is a trope, she says, an image of the delusion that was the Celtic Tiger. And it starts in the late afternoon of a suburban barbecue: ‘I met him in my sister’s garden in Enniskerry.’ There is a moment when she watches him – the man who is to become her lover – through a haze of cigarette smoke before he turns to look at her: ‘For the moment I am just breathing.’
The first chapter is enough to get me hooked. I need to know what happened next. It will be on my winter list for the Kyleglass Book Worms.
I’d like these books for Christmas (if I didn’t have them already)
This is my half-dozen list of books from Ireland or by Irish writers that I think would make great Christmas gifts. And not a whiff of misery writing about the rise and fall of the Celtic Tiger or the sorry IMF/ECB bailout.
Emma Donoghue’s Room was my book of the year before it won the Hughes & Hughes Irish Novel of the Year prize. Asked at the awards ceremony why she thought the book had such an impact Emma said, ‘I think it touches on the universal theme of a young person discovering there’s more to life their own little world.’ That little world of Jack and Ma incarcerated in a room is richly imagined and conveyed with humour and freshness through the voice of the child narrator.
I was at the launch of Seamus Heaney’s Human Chain at the Abbey Theatre in September where the poet roamed over and back between old poems and new. This is his twelfth collection. John Banville said: ‘Human Chain marks many deaths but all the markings are a celebration of what was lived.’
The Granta Book of the Irish Short Story is edited by Anne Enright. How on earth did she make her selection from a century of Irish short story writing? ‘I wanted to put together a book that was varied and good to read, with a strong eye to the contemporary,’ she said. It is a delight to have O Faolain and O’Connor, Mary Lavin and Maeve Brennan, Kevin Barry, Claire Keegan and many others in one volume.
A legendary Irish text-book has been reprinted. Soundings, a poetry anthology edited by Gus Martin will evoke mixed emotions if you sat your Leaving Cert between 1969 and 2000. Joseph O’Connor describes it well: ‘Amid the ink-stains of our adolescence, the shocking sweetness of first kisses, the pimples and growth-spurts and uncertainties and aches, it saw to it that poetry would find a way of seeding itself.’
The Thank You Book is edited by Roisin Ingle and is a fund-raising initiative of the Irish Hospice Foundation. The book will be largely written by you as you fill the pages with your gratitude lists in these dismal times.
There’s a personal bias in my last selection, Michael Viney’s Wild Mayo. It is my native county but the places are familiar to many through Michael’s weekly column in the Irish Times. Described as ‘a poem to a place’, it captures a county’s natural history and evokes a wild landscape of peatlands and islands and rocky shores illustrated with sumptuous photos.
(If you are looking for other Irish book ideas, Publishing Ireland have a list of 25 to choose from here.)
Any suggestions? Of Irish books as Christmas gifts? Would love to hear.
Patricia Byrne 
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